A creative technologist currently based in the Bay Area.
With a background in software engineering, I enjoy building systems and tools that transform technology into an expressive art form. My work ranges from designing backend architectures to crafting musical interfaces for live performance. Much of my experience involves designing audiovisual sets with TouchDesigner and Ableton, exploring the creative possibilities of CRTs and projected displays, and experimenting with analog audio and MIDI interfaces such as the Disklavier.
Currently, as a Master’s student at Stanford, my focus is on blending software and creative experimentation—designing interactive installations, composing live performances, and developing new ways to interact with technology. My process is guided by a curiosity and drive to create work that is artful and humanistic, with each project and experience emerging from the desire to scratch a creative itch and reimagine the possibilities of everyday technology.
Lately, my creative itches have led me to experiment with lamps and vintage CRT displays—exploring how these household technologies contribute to a more personal and mundane experience. By integrating these familiar elements into my crafted experiences, I’m able to create spaces imbued with an analog and nostalgic warmth—using the soft glow of lamps and the high-pitched whine of CRTs to evoke a timelessness and physical presence rarely found in digital media.
Beyond all else, I find myself best dressed on my motorcycle, always rocking my two-piece suit. There’s a certain freedom in being freed from the cage of a car—focused and in control yet being forced to adapt. In the same way, with my creative work, I try to break through the confines of what's familiar, searching for ways to step outside the box and create new experiences.
A creative technologist currently based in the Bay Area.
With a background in software engineering, I enjoy building systems and tools that transform technology into an expressive art form. My work ranges from designing backend architectures to crafting musical interfaces for live performance. Much of my experience involves designing audiovisual sets with TouchDesigner and Ableton, exploring the creative possibilities of CRTs and projected displays, and experimenting with analog audio and MIDI interfaces such as the Disklavier.
Currently, as a Master’s student at Stanford, my focus is on blending software and creative experimentation—designing interactive installations, composing live performances, and developing new ways to interact with technology. My process is guided by a curiosity and drive to create work that is artful and humanistic, with each project and experience emerging from the desire to scratch a creative itch and reimagine the possibilities of everyday technology.
Lately, my creative itches have led me to experiment with lamps and vintage CRT displays—exploring how these household technologies contribute to a more personal and mundane experience. By integrating these familiar elements into my crafted experiences, I’m able to create spaces imbued with an analog and nostalgic warmth—using the soft glow of lamps and the high-pitched whine of CRTs to evoke a timelessness and physical presence rarely found in digital media.
Beyond all else, I find myself best dressed on my motorcycle, always rocking my two-piece suit. There’s a certain freedom in being freed from the cage of a car—focused and in control yet being forced to adapt. In the same way, with my creative work, I try to break through the confines of what's familiar, searching for ways to step outside the box and create new experiences.